The winner of the 9th edition of IMPALA’s Album of the Year award is VIAGRA BOYS with “Street Worms”, released on Swedish independent label YEAR0001. Viagra Boys succeeds previous winners including Gurr, Agnes Obel, The xx, Adele, Guadalupe Plata and Efterklang.
This morning, EU Member States gave the copyright directive the final green light, closing over two years of legislative process and hundreds of hours of debates.
The European trade body IMPALA held their board meeting in London yesterday, where they also met with AIM, the voice for the UK independent music sector. It was agreed that sector specific deals must be on the priority list for negotiators.
Dear Member of the European Parliament, We are writing following Tuesday’s vote in favour of the copyright directive.
Taking a stance has paid off. Earlier this week, the European parliament voted through important changes to copyright, amid intense negative PR.
It was a moment of truth for the IMPALA executive chair Helen Smith as she witnessed the crunch vote in Strasbourg. Here, Smith explains why Article 13 could now lead to closer co-operation between the industry and YouTube to grow the streaming economy…
The European parliament voted today to bring copyright rules up to date. 348 MEPs voted in favour, 274 against and 36 abstained.
Ahead of the European parliament vote tomorrow on reforming copyright, young and emerging musicians have recorded “Just Say Yes” to get their message across about a fair future online. The aptly named song was originally released by Snow Patrol.
The beauty of the beast – in support of the Copyright Directive
Why the copyright directive needs to be adopted now as a package
Composers and artists speak out for the first time with managers and independent sector
This opinion piece by Debbie Harry was published in The Guardian on 22 March 2019.
#YES2COPYRIGHT
More than 300 national, European and international organisations from the entire cultural sector call for adoption of Copyright Directive
Two months ahead of the European elections, a Harris Interactive poll shows that European citizens want stronger regulation of tech giants like Google and Facebook. 6,600 people were surveyed from France, Germany, Poland, Spain, Italy, the Czech Republic, Greece and Romania.
Europe For Creators is asking YouTube for access to the same tools YT has used to promote its own messages on the EU’s copyright directive and article 13. The request is to allow Europe For Creators to message YouTubers and place banner ads on YouTube’s network, in the same way YT has done.
IMPALA and more than 300 organisations from across the cultural and creative sectors representing authors, composers, writers, journalists, photographers as well as news agencies, audiovisual producers, book, press and music publishers, unite in calling on the European Parliament to adopt the directive on copyright in the digital single market.
Each year, IMPALA recognises a person, an organisation or an initiative whose actions had a major impact on the independent music sector. This year, the award goes to journalist Markus Tobiassen and the Norwegian newspaper Dagens Næringsliv for their exceptional work investigating alleged streaming data manipulation. The award was handed out to Markus by IMPALA’s Executive Chair Helen Smith during the by:Larm music festival in Norway.
The Worldwide Independent Network (WIN) has today announced its appointment of Charlie Phillips to lead the network’s operations, stepping up from his previous role as Director of Legal and Business Affairs.
Independent music companies associations and labels from across Europe met in Brussels this week to examine the text of the copyright directive agreed in trilogue.
Member state approval was also forthcoming this week, allowing the directive to now move through the final approval process in the parliament.
IMPALA and organisations from across the cultural and creative sector representing authors, composers, writers, journalists, photographers as well as news agencies, audiovisual producers, book, press and music publishers, have published the following statement calling on EU member states and the European Parliament to adopt the text of the Copyright Directive as agreed in trilogue last week.
After much debate and further changes to the text of the copyright directive, an agreement was reached in Strasbourg last night and the directive can now move to the final stages of the European legislative process. Member states now need to approve the final text as well as the European Parliament. The changes made in the trilogue discussions this week will be published soon and IMPALA understands that they will help achieve a balanced text.
2018 was a great year for European independents and it’s time to have a look at the pick of the bunch: there are no less than 18 nominees for this 9th edition of our album of the year award, showcasing once again how Europe’s independent music sector is thriving.
Today marks the official launch of RUNDA – complete name Regionalna udruga nezavisnih diskografa – the regional association of independent discographers for the Balkans, whose work and membership will cover the whole of ex-Yugoslavia (Slovenia, Croatia, Bosnia-Herzegovina, Serbia, Kosovo, Montenegro and Macedonia) as well as Albania.
EUROPE FOR CREATORS is launching a new website and a newsletter, as part of a renewed effort to promote clarity around Article 13 of the European Copyright Directive.
The new tools set out facts. The website, www.article13.org (also available in Italian, German, Czech, French, Polish, Croatian and more to come) and the newsletter, INSIGHT 13, take a no-nonsense approach to the issue and go back to basics: What does the Directive actually say and how does the process work?
The following is a joint letter signed by 30 organisations from across the cultural and creative sectors, sent to EU member states’ research Ministries in the framework of the trilogue discussions on the EU’s future Horizon Europe programme:
We are writing to you as a group of organisations representing European authors, composers, songwriters, featured artists, picture agencies, book publishers, academic publishers, audiovisual producers and broadcasters, independent and major music producers and publishers, and news and media companies.
Following the news that Alison Wenham is stepping down at WIN, we are making the following statement thanking Alison.
IMPALA’s President Kees van Weijen took part in the “Independent Music Day” conference in Warsaw, organised by Poland’s newly established and fast-growing alliance of independent music companies, which already counts 35 members.
WINTEL 2018 is the third report produced for Worldwide Independent Network (WIN), mapping the global market share of the independent sector at copyright, rather than distribution level.
IMPALA, the European organisation of Independent music companies in Europe, congratulated Sugar Music and its team for the extraordinary achievement of a number 1 in the album charts at the same time in the USA and the UK with Andrea Bocelli’s “Si”.
YouTube’s campaign against Article 13 of the Copyright Directive shows a lack of respect for the EU democratic process of law making. The revisions to the Directive have been under discussion for over four years already and the three main institutions of the European Union have all given their position.
As things heat up again on the copyright directive, IMPALA’s Executive Chair Helen Smith speaks out. The Financial Times has given IMPALA the lead letter slot today to reply to YT’s CEO opinion piece posted in the FT earlier this week.
Dear Member of the European Parliament,
We are writing as a group of 80 organisations from across the cultural and creative sectors ahead of the plenary vote on the next EU MFF 2021-2027 on 14th November.
STOMP is delighted to give its STOMP Independent of the Year Award to Helen Smith, Executive Chair of IMPALA – the Independent Music Companies Association – in recognition of her exceptional efforts to represent the independent music sector and help it grow. The award was handed out to her by STOMP’s chairman Kees van Weijen in person yesterday during STOMP’s Annual General Meeting.
Dear Members of the European Parliament,
We are writing as a group of 59 organisations from across the cultural and creative sectors ahead of today’s vote of the Budget committee on the next EU Multi-Annual Financial Framework (MFF) 2021-2027.
Sony’s move from joint to sole control of EMI Music Publishing has been approved today by the European regulator. This take-over allows Sony to double its catalogue of songs (from 2.16m to 4.21m compositions).
Analysis of national music charts for 2017 carried out across key European countries raises further concerns about the true impact of Sony’s take-over of EMI Music Publishing. Control of national charts is the test the EC uses when it examines mergers in the music market.
Following key recommendations on Brexit debated by IMPALA and other cultural organisations in Brussels last week, further IMPALA discussions will take place on implementation for the music sector at IMPALA’s AGM on 5 October. Hosted by the Finnish independent labels association Indieco, IMPALA’s AGM will take place at Music and Media conference in Tampere.
Sony’s intended take over of EMI Music Publishing has been notified to the European Commission, who now has until the 26th of October to make an initial assessment. Precedents set by the Commission in 2012, when it ruled that divestments were required for Sony to become a minority shareholder, suggest that Sony’s attempt to take over EMI completely will be met with stiff opposition and a detailed Phase 2 investigation.
Today, the nominees for the Music Moves Europe Talent Awards were announced at the Reeperbahn Festival in Hamburg, Germany. This brand new annual music prize celebrates emerging artists who represent the European sound of today and tomorrow. All winners will be presented at the award ceremony during the opening night of ESNS 2019.
Member of the European Parliament Giorgos Grammatikakis calls for the doubling of the funding for Creative Europe and for securing dedicated funding for “Music Moves Europe” in his report on the New European Agenda for Culture.
The European Parliament voted today to move ahead on copyright reform. The whole directive was adopted by a clear majority of 438 votes for, 226 against and 39 abstentions.
The following MBW blog comes from Helen Smith (pictured), Chair of European independent music trade body IMPALA.
In a recent article for POLITICO — “For artists, internet platforms are less threat than opportunity” (September 9) — the founder of the Fugees, Wyclef Jean, argues that those seeking to rewrite copyright laws want to “tear down the internet.”
What you need to know about the copyright proposal in 10 keys.
Today sees the launch of the #EuropeForCreators campaign in support of a fair and sustainable internet for creators, ahead of a new vote in the European Parliament on copyright.
Independent music companies have made a pre-emptive strike to oppose Sony’s attempt to gain sole control of EMI Music Publishing. IMPALA confirms today that it has lodged concerns with the European Commission about the transaction, which it describes as “seismic’.
IMPALA is a proud member of a unique alliance of European music industry partners supporting new music talent. The Music Moves Europe Talent Awards are the new European Union Prize for popular and contemporary music implemented by ESNS (Eurosonic Noorderslag).
The European parliament decided today to move to full debate in plenary on copyright reform. The next step will give parliamentarians more time to reach a decision in the parliament’s next plenary session in September.
We represent 4.5% of EU GDP and 12 million European jobs. We are the heart and soul of Europe’s plurality and rich identities. On July 5 we ask for you to back the mandate adopted by JURI on 20 June which is the result of long and intense negotiations.
Dear Member of the European Parliament,
People have never enjoyed as much music as we do today. All music from all time is available at our fingertips. Young artists are exploring the frontiers of pop, rap, R&B, grime, jazz, electronica, rock, classical, punk and soul, while fans share the experience online, at gigs and festivals.
In Europe, cultural & creative sectors account for 7 million jobs and €509 billion in GDP.
Reinforcing them is an astute move as they won’t be relocating anywhere.
Open letter to all members of the European Parliament ahead of the plenary vote on copyright on 5th of July.
IMPALA is the European association of independent music companies. We have 4,000 members across Europe and a keen interest in the topic of today’s breakfast discussion.
Today a great step was taken toward addressing the now famous “value gap” which has been plaguing the music sector for years.
This article was first published in Midem blog. It is part of a series of interviews ahead of Midem 2018’s Global Indie Voices sessions, in association with IMPALA.
Today, the European Commission presented its proposal for the post-2020 Creative Europe programme for cultural and creative sectors.
This article was first published in Midem blog. It is part of a series of interviews ahead of Midem 2018’s Global Indie Voices sessions, in association with IMPALA.
Today, 24th May 2018, Merlin celebrates its tenth anniversary as global digital rights agency for the independent label sector with the announcement of three key new hires; Marta de la Hoz joins as Head of Reporting, Chaida Kapfunde as Head of Technology & Development, and Quentin Martins as Member Operations Manager.
As news broke this morning of Sony’s intention to buy out most of its partners in EMI Music Publishing, independent music companies warn that the move will face regulatory opposition because it would stifle competition online and offline.
Yesterday, the European Commission presented its proposed budget for the European Union for 2021-2027.
New proposed legislation was published today, as part of the EU’s bid to ensure Europe’s digital market functions properly.
